Kolloquium: Black Music and Embodiment
- Datum: 07.05.2019
- Uhrzeit: 17:00
- Vortragende(r): Ronald Radano
- Ort: Max-Planck-Institut für Bildungsforschung, Lentzeallee 94, 14195 Berlin
- Raum: Kleiner Sitzungssaal
- Gastgeber: Forschungsbereich Geschichte der Gefühle
- Kontakt: sekfrevert@mpib-berlin.mpg.de
The Center for the History of Emotions at the Max Planck Institute for Human Development, led by Prof. Ute Frevert, cordially invites all interested to attend its summer semester 2019 colloquium:
Ronald Radano, University of Wisconsin-Madison
Black Music and Embodiment
It is commonplace to hear music lovers describe the multiple varieties
of black music as forms expressive of the black body. In this talk,
Ronald Radano will explore the history of such thinking, showing how it
derives from a racial-economic peculiarity tracing to the US slave era.
The comprehension of black music as embodied or “animated” form, in
turn, would influence the conception of African musical practices when
they were first documented and recorded during the German imperial era
before World War I. Rather than demonstrations of antiquated ideas,
these intellectual trajectories carry profound significance, informing
the greater understanding of music in the 21st century.
Ronald Radano is Professor of African Cultural Studies and Music at the
University of Wisconsin-Madison and currently the Berlin Prize/Andrew W.
Mellon Fellow in the Humanities at the American Academy in Berlin. He
has published widely on US and global black music and ethnomusicology,
including, most recently, Secret Animation of Black Music: A Theory of
Value (forthcoming), and, as co-editor, Audible Empire: Music, Global
Politics, Critique (Duke, 2016). He is presently beginning new research
that focuses on the technological reproduction of African music as part
of the emergence of German musical scholarship at the turn of the
twentieth century.